Provides a new navigational map for constructing empirically based generalizations in qualitative research. The authors outline an accessible way to think about observations, methods, and theories that nurtures theory-formation without locking it into predefined conceptual boxes.

With this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood."A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book."--John Barrell, "London Review of Books"